‘THE FLOOR THAT GATHERS THE LIVING TOUCHES THE EARTH THAT RECEIVES THE DEAD’


Emily Yeonsoo Jung, The floor that gathers the living touches the earth that receives the dead, 2025, charcoal, ash, pewter, mortar, rice water agar, glass







Emily Yeonsoo Jung and Clara Chanisheff, Contours of access, 2025, aroma molecules, rice glue, solvent, dust, trapped air, acrylic, steel






Emily Yeonsoo Jung, untitled, 2025, glass, steel, ash, rice water agar




Emily Yeonsoo Jung, untitled, 2025, pewter, ash, mortar, concrete




Emily Yeonsoo Jung, untitled, 2025, glass, steel, ash, rice water


Emily Yeonsoo Jung, untitled, 2025, glass, steel, ash, rice water agar









Emily Yeonsoo Jung, Open vessels, 2024, glass, scoria, plaster, steel pipes.






Emily Yeonsoo Jung, Kyle Stanton, When Can I Come Home, 2024, thermochromic ink, acrylic on perspex, wood, 370 mm Å~ 250 mm