‘THE FLOOR THAT GATHERS THE LIVING TOUCHES THE EARTH THAT RECEIVES THE DEAD’
Emily Yeonsoo Jung, The floor that gathers the living touches the earth that receives the dead, 2025, charcoal, ash, pewter, mortar, rice water agar, glass
Emily Yeonsoo Jung and Clara Chanisheff, Contours of access, 2025, aroma molecules, rice glue, solvent, dust, trapped air, acrylic, steel
Emily Yeonsoo Jung, untitled, 2025, glass, steel, ash, rice water agar
Emily Yeonsoo Jung, untitled, 2025, pewter, ash, mortar, concrete
Emily Yeonsoo Jung, untitled, 2025, glass, steel, ash, rice water
Emily Yeonsoo Jung, untitled, 2025, glass, steel, ash, rice water agar
Emily Yeonsoo Jung, untitled, 2025, glass, steel, ash, rice water
Emily Yeonsoo Jung, Open vessels, 2024, glass, scoria, plaster, steel pipes.
Emily Yeonsoo Jung, Kyle Stanton, When Can I Come Home, 2024, thermochromic ink, acrylic on perspex, wood, 370 mm Å~ 250 mm